【Zine】亞際自組木刻版畫串連圖繪

二戰結束後印尼、馬來西亞等國逐步踏上民族獨立和民主化的過程，然而殖民制度所遺 下的權力體制和全球資本對底層人民的壓迫和暴力並沒有因此明顯減少。印尼龐克樂團 「Marjinal」和藝術組織「稻米獠牙」就是在這樣的背景下成立；藝術家們通過不同的創作 方式，上山下鄉與人民共同創作，建立互聯與發聲的空間；過程不單讓更多人關注底層民 眾的處境，同時在建構一種強調平等、共同協作的倫理，提供偏重於個人性的當代藝術 生產模式以外，另一種「藝術政治」的想像。隨後，「Marjinal」和「稻米獠牙」的實踐在印尼 各地開展，並促發周邊地域的新晉版畫組織，影響從鄰近的馬來群島及至在東北亞地區 ，例子見如沙巴的「龐克搖滾舍」、東京的「A3BC」、台北的「印刻部」、香港的「點印社」、 中國大陸的「木刻波流」等等。 

Asian countries like Indonesia and Malaysia gained independence and underwent the process of democratization after World War II; however, the colonial regime, state apparatus and transnational capital have never ceased to exert pressure and perpetrated violence against the underprivileged. The Indonesian punk band Marjinal and the woodblock printing collective Taring Padi were founded in such a historical context. The practice of Marjinal and Taring Padi have bloomed across Indonesia and fostered the birth of numerous woodblock printing collectives. Their influence soon extended as far as the woodblock printing network in Malaysia and contemporary art practitioners in East Asia. Examples include Pangrok Sulap in Sabah, A3BC (namely Anti-War, Anti-Nuclear and Arts of Block-print Collective) in Tokyo, Print & Carve Department in Taipei, Printhow in Hong Kong and Woodcut Wavement in Mainland China etc.

目錄 Contents 

序－再思「集體」：圖繪亞際木刻版畫集體的發展／編輯部 

Rethinking Collective: Mapping on the Development of Woodblock Printing Collective in Inter-Asian Context / The Editorial Board 

印尼藝術家集體「稻米獠牙」的左翼精神／陳韋綸 

The Left-Wing Spirit of the Indonesian Artist Collective Taring Padi / CHEN Wei-Lun 

自發協作還是社會動員？談Gotong-Royong的歷史獄警及其政治／吳君儀 Collaboration or Social Mobilization? The Historical Context of Gotong-Royong and Its Politics / Krystie NG 

如何持續發展一個DIY藝術家集體？：以A3BC為例／狩野愛 

How to Sustain a DIY Artist Collective? In the Case of A3BC / KANO Ai 

「像充滿謎團的存在」：東亞跨地域文化行動的動態網絡／李俊峰 

“To Exist Like a Mystery”: The Dynamic of Trans-Local Cultural Activism Network in East Asia / LEE Chun Fung 

從「大眾化」到「去大眾化」：重新思考中國當代藝術語境中的木刻創作／李丁 From “Popularization” to “De-popularization”: Rethink Woodcut Printing in the Context of Chinese Contemporary Art / LI Ding