{"title":"小誌 Zine","description":null,"products":[{"product_id":"新書-馬來素描","title":"【新書】馬來素描 | Zine","description":"\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003ch3\u003e內容簡介\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e《馬來素描》的書名來自十九世紀末海峽殖民地總督瑞天鹹描述馬來半島土著生活的同名軼事匯編。在新加坡青年作家亞非言的筆下，這些“素描”被重新想象成凝練而精辟的微型小說，向讀者展現了新加坡少數族群的生活現實。亞非言是著名的雙語詩人、小說家和劇作家，也是新加坡政府眼中的“異見分子”。書中形形色色的⼈物，是在新加坡主流發展敘事中被消音的⼀群少數族群，只占總人數百分之十五的馬來人，他們仿佛是獨立前未曾存在的土著，獨立後總跟不上發展步伐的“落後”族群。作者透過48則短篇故事，揭露新加坡在英才治理、多元文 化主義、世俗主義等現代性話語下衍生的種種問題，而馬 來人的“落後性”被視為種種社會問題的源頭。他們生長於家國，卻漸漸成了無家者，這就是新加坡馬來人面對的困境。亞非言的書寫實踐繼承自上世紀馬來知識分子的傳統，作品具有高度社會關懷和歷史意識。亞非言筆下的馬來人是一個個尋找聲音的活生生的主體。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e作者簡介\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e作者亞非言（Alfian Sa'at） 新加坡小說家、詩人、劇作家，以英語和馬來語雙語創作，亦翻譯馬來文學作品。他是新加坡野米劇場（Wild Rice）的常駐劇作家。出版作品包括三本詩集《激烈時刻》（One Fierce Hour，1998）、《失憶癥史》（A History of Amnesia，2001）和《隱形手稿》（The Invisible Manuscript，2012），短篇小說集《走廊》（Corridor，1999），微型小說《馬來素描》（Malay Sketches，2012），劇作《冷靜日》（Cooling Off Day，2012）以及三部劇作集。2001年，亞非言贏得新加坡金筆獎詩歌獎以及新加坡國家藝術理事會青年藝術家獎（文學類）。他也三次獲得新加坡文學獎提名（1999年、2004年和2016年），四度贏得《海峽時報》“生活！戲劇獎”最佳原創劇本——《地標》（Landmarks，2004）、《娜迪拉》（Nadirah，2010）、《你姐姐的丈夫》（Kakak Kau PunyaLaki，2013）和《酒店》（Hotel，2016）。他亦是新加坡戲劇節的共同藝術總監。譯者蘇穎欣 馬來西亞人。新加坡南洋理工大學文學博士。目前為澳洲國立大學文化、歷史暨語言學院講師，亦是自由譯者。研究興趣為東南亞歷史與文學，尤其是新加坡、馬來西亞和印尼的知識和文化生產。她也是吉隆坡“亞答屋84號圖書館”和“業余者”的共同創辦人。插畫作者歐飛鴻 廣東黃，本廣大畫廊CEO，《刺紙》雜志編輯之二，生活於廣州。\u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv id=\"M201105_0_getProdTextInfo_P00a400020009_h3\" class=\"content\"\u003e\n\u003cp\u003e\u003cstrong\u003e詳細資料\u003cbr\u003e\u003c\/strong\u003e[ 新加坡 ] 亞非言（Alfian Sa'at） 著\u003cbr\u003e[ 馬來西亞 ] 蘇穎欣 譯\u003cbr\u003e責任編輯：陳韻繪 畫：歐飛鴻\u003cbr\u003e設計排版：3in封面字體：鄭初陽\u003cbr\u003e校 訂：宋小啤\u003cbr\u003e頁數：288\u003cbr\u003eISBN：978-629-99529-0-9\u003cbr\u003e出版：Archipelago Studio\u003cbr\u003e出版日期：2024年7月10日 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":43517296672815,"sku":null,"price":88.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/product-910266.jpg?v=1736009247"},{"product_id":"新書-51-攤","title":"【新書】51 攤 | Zine","description":"\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003ch3\u003e內容簡介\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003e《51攤》（51 Tan）是一個持續性的記錄項目。作者作為第十一屆上海雙年展（2016-17）51人項目的參與者之一，以繪畫速寫勾勒出她以顧客或路人的視角體察這些散落在當時上海特定位置的攤販，記錄他們的擺設細節、構造邏輯、材質用料、空間策略和街頭對話\u003cbr\u003e——\u003cbr\u003e精妙而富有人情。及至出版，書中的很多攤販已不得再見。攤販把自己的生意建立在流動中人和人的短暫信任之上，卻成為城市治理下手最輕易、效果最明顯的解決對象。在2017年結束上海雙年展結束後，通過51人作為出版項目的持續推動，終於在2024\u003cbr\u003e年的版本中，作者收錄到了51個攤位，並成為了這本終結版（但也不會真正結束）的《\u003cbr\u003e51攤》上下冊。\u003c\/p\u003e\n\u003cp\u003e上海日漸式微的街頭生活、生意和生氣在2016年初已露端倪。從2015年開始、在2016年達到頂峰的“拆違”運動，每天都在改變普通人熟悉的街道和每日生活所仰賴的小店和攤販，叫人目瞪口呆、無所適從。51人邀請生活在上海的一位女性建築師，作為當時第十一屆上海雙年展51人項目的主角之一，以基於觀察的紀實漫畫的方式，記錄並在上海當代藝術博物館的微信公號上發布“51攤”系列，一直發布了39個攤。這個約定令她成為一名街頭記錄員，在街頭蹲點，學習街頭生存所可見的“解決之道”、“應對之道”。\u003c\/p\u003e\n\u003cp\u003e三年後的2019年，我們將2016-2017年間所記錄的這39個攤匯編成一本小書。雖然當時那波“拆違”的高潮已經過去，但在所有人記憶中，街頭攤販、馬路菜場、不必然“正規”但靈活人性的廉價街頭商業的非正常萎縮，是一個基本的事實。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e攤販的消失，也帶走了路人對街道的知覺、權利和對權利的知覺。在形成和塑造上海的歷史過程中，街道和馬路一直都可以變成臨時性、季節性的生活場所，並承擔著遠遠超出交通的功能，是公共空間的一個重要部分。隨著三十年不間斷的拆遷、對所謂“雜亂”的污名化和對“違規”邊界的隨意改動，街道上逐步失去了人的生活，有自主性和創造性的街道生活被不斷地抑制和剝奪，城市生活也逐步退縮到了“墻內”的生活——商品房的墻內，商場的墻內。\u003c\/p\u003e\n\u003cp\u003e《51攤》從2019年面市以來，一直受到讀者的喜愛。也因此，這個項目才沒有因為當屆上雙的結束而停止，內容的不斷豐富來自熱心的投稿和原作者繼續的觀察和搜集。一直到\u003cbr\u003e2023年的10月，終於完成了全部的51個攤。這期間上海的居民又經歷了很多。這本書里的攤和人，有的還在那里，有的已經因為激烈的城市變遷而搬到另一個地方，有的歇業，有的徹底離開。同時，還有新的攤\u003cbr\u003e——\u003cbr\u003e臨時的或長期的，假裝的或真心的，有組織的或無組織的攤販，不斷地冒出來。我們記錄下這些並不遙遠的街頭情景，是為一座城市存檔，也是希望有朝一日能繼續在街道上的自由生活。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv id=\"M201105_0_getProdTextInfo_P00a400020009_h3\" class=\"content\"\u003e\n\u003cp\u003e\u003cstrong\u003e詳細資料\u003cbr\u003e\u003c\/strong\u003e作者：曹飛樂\u003cbr\u003e設計：米拉\u003cbr\u003e語言：中英雙語\u003cbr\u003e開本：\u003cbr\u003e98 x 270 mm \/冊\u003cbr\u003e冊數：3\u003cbr\u003e頁數: 172\u003cbr\u003eISBN: 978-1-80377-068-0\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":43517305159727,"sku":null,"price":85.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/51-403683.jpg?v=1736009449"},{"product_id":"zine-wood-firing-journey","title":"【Zine】Wood-firing journey","description":"\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003ch3\u003e內容簡介\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp\u003eThis zine documents my journey of playing with wood-fired pottery since 2021. Starting in 2020, we showcased at various markets and realized that pottery isn't widely recognized, especially wood-firing. Earlier, I participated in a forum for alumni of the Cultural Management Master's program at CUHK, where I shared my pottery journey and the qualities of being a cultural intermediary. The topic at that time focused on sustainability in cultural and artistic contexts. This encompasses not only personal sustainable development but also that of artists, art organizations, and the entire industry. While I know my contributions can't influence the whole industry or make it thrive, I at least participate as an audience member in various performances and exhibitions during my free time. But I hope to continue playing with clay and engaging in wood-firing. Thus, the idea of creating this zine came about, aiming to share the process of making pottery and the wood-firing technique with a wider audience.\u003c\/p\u003e\n\u003cp\u003eThis zine is circular, returning to the essence of pottery. Shaping clay requires creating a sphere, the potter's wheel is round, and wood is also round. Each zine is designed and bound by hand, purely handmade. During the production process, my printer also misbehaved, and the ink it produced reflected the unpredictability of wood-firing.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e創作者介紹\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMichelle Cheung \u003cbr\u003eCeramic Creator \/ Bookshop Owner \/ Cultural Mediator \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMichelle the founder of Mi Spacium Design Studio. The studio provides different creative services, including theatre and television set design, costume design, exhibition design, and publication works such as graphics and book design. Other than design, she also owns an art bookshop, called \"Mi Spacium Culture 藝跡文化,\" selling various art books and organizing different cultural events in Hong Kong. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003e詳細資料\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e出版：藝跡文化 Mi Spacium Culture\u003cbr\u003e創作者：Michelle Cheung @ Mi Spacium Culture\u003cbr\u003e出版年份：2025\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":44468183138351,"sku":null,"price":80.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zinewood-firing-journey-8013934.png?v=1756558358"},{"product_id":"city-tour-1-from-wong-chuk-hang-to-wah-fu-pre-order","title":"【Zine】City Tour #1: From Wong Chuk Hang to Wah Fu (pre-order)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCity Tour #1: From Wong Chuk Hang to Wah Fu\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e城市漫遊#1: 從黃竹坑到華富\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e這是店長Toby Lai首本全手工印刷裝幀的攝影zine。記錄了書店所在的黃竹坑，和步行到到香港仔及華富邨一帶的種種景觀。由黃竹坑工廈區的多幅大型壁畫開始，途經鮮為區外人所知的香葉徑，到達香港仔海濱長廊，記錄了標誌性的鴨脷洲大橋、漁船和僅存的太白海鮮舫等等。此外，zine中收錄了邨內種種，包括60年代尾華富邨落成即隨即開業至今的銀都冰室、獨特的屋邨建築設計等。隨著華富邨重建計劃即將開展，這個依山而建的劃時代住宅群亦再難重現，最後以⌈香港八景⌋中被稱為⌈扶林飛瀑⌋的瀑布灣作結。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e初版時於各大本地和海外藝術書展展出，包括香港ZINE YO! FEST、吉隆坡KL Zine Etc、台北草率季2025、澳門Bookery及 UNFOLD Macau。得到各地書店和同好收藏，並收錄於Asia Arts Archive Zine collection。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e有別於初版的呎吋，這本新版是以4R藝術紙印成，並以全手工裝成。另外更基於初版的印制顏色特別微調，加入九張全球攝影作品，全書包括封面封底共33張作品。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e此外，封面加入NFC芯片，讀者可以由此觀看全書制作的縮時影片。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the first fully hand-printed and hand-bound photography zine by store manager Toby Lai. It documents the landscapes of Wong Chuk Hang—where the bookstore is located—and the journey on foot toward Aberdeen and Wah Fu Estate. The narrative begins with the large-scale murals of the Wong Chuk Hang industrial area, winds through Heung Yip Path (a hidden gem known to few outsiders), and reaches the Aberdeen Promenade. It captures iconic sights such as the Ap Lei Chau Bridge, traditional fishing boats, and the remaining Tai Pak Floating Restaurant.\u003c\/p\u003e\n\u003cp\u003eFurthermore, the zine records various scenes within the housing estate, including the Silver Cafe—which has been in operation since Wah Fu Estate was completed in the late 1960s—and the estate’s unique architectural designs. As the Wah Fu Estate redevelopment project is set to begin, this epoch-making residential complex built along the hillside will soon be a sight of the past. The journey concludes at Waterfall Bay, known as the \"Fu Lam Flying Waterfall,\" one of the \"Eight Views of Hong Kong.\"\u003c\/p\u003e\n\u003cp\u003eThe first edition was exhibited at various local and international art book fairs, including Hong Kong ZINE YO! FEST, KL Zine Etc in Kuala Lumpur, Taipei Art Book Fair 2025, Bookery in Macau, and UNFOLD Macau. It has been collected by bookstores and enthusiasts worldwide and is included in the Asia Art Archive Zine Collection.\u003c\/p\u003e\n\u003cp\u003eDiffering in size from the first edition, this new version is printed on 4R art paper and is entirely hand-bound. The printing colors have been specially fine-tuned based on the original edition, and nine new photographs have been added, bringing the total to 33 works, including the front and back covers.\u003c\/p\u003e\n\u003cp\u003eAdditionally, an NFC chip is embedded in the cover, allowing readers to watch a time-lapse video of the entire production process.\u003c\/p\u003e\n\u003cp\u003eTo support Toby’s ongoing creative journey, this edition is strictly limited to 30 copies worldwide, available while supplies last. As each copy is entirely handmade, please allow approximately seven working days for shipping after your order is placed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":44781478510639,"sku":null,"price":380.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/city-tour-1-from-wong-chuk-hang-to-wah-fu-pre-order-3447953.jpg?v=1766163375"},{"product_id":"city-tour-2-from-kyoto-to-osaka-pre-order","title":"【Zine】City Tour #2: From Kyoto to Osaka (pre-order)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCity Tour #2: From Kyoto to Osaka\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e城市漫遊#2: 從京都到大阪\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e繼店長Toby Lai第一本全手工攝影zine：City Tour #1: From Wong Chuk Hang to Wah Fu, 這是該系列第二本全新作品，收錄34張店長T精選的攝影作品，圍繞這兩個日本城市的傳統特色景觀。作為香港人第二個鄉下的日本，各個城市無論歷史景觀、人文風景、城市節奏都各有特色。「\u003c\/span\u003e\u003cspan\u003e京阪神」中的京都和大阪雖然在地理上接近，但卻給人南轅北轍的感覺。京都作為日本最著名的古都之一，注重傳統與雅致，以歷史文化、精緻美食和素雅的京町家聞名。大阪城市節奏急促，現代感強烈，著名的心齋橋夜景百聞不如一見。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e封面加入NFC芯片，讀者可以進入觀看這本攝影Zine的制作過程縮時影片。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e為推動店長T持續創作，此書全球限量30本，售完即止。由於是全手工制作，下單後約七個工作天內出貨。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFollowing the first fully handmade photography zine by Toby Lai, \u003c\/span\u003e\u003cspan\u003eCity Tour #1: From Wong Chuk Hang to Wah Fu\u003c\/span\u003e\u003cspan\u003e, this is the second brand-new installment in the series. It features 34 curated photographs by Toby, focusing on the traditional and iconic landscapes of two Japanese cities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor many Hong Kongers, Japan is considered a \"second home,\" where every city offers a distinct blend of historical heritage, cultural atmosphere, and urban tempo. While Kyoto and Osaka—both part of the \"Keihanshin\" region—are geographically close, they offer worlds of difference. As one of Japan’s most iconic ancient capitals, Kyoto exudes tradition and refinement, celebrated for its history, exquisite cuisine, and the understated elegance of Kyo-machiya (traditional townhouses). In contrast, Osaka pulses with a fast-paced, modern energy, featuring the legendary neon-lit nightscapes of Shinsaibashi that truly must be seen in person.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe cover features an embedded NFC chip, allowing readers to access a time-lapse video documenting the production process of this photography zine.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo support Toby’s ongoing creative journey, this edition is strictly limited to 30 copies worldwide, available while supplies last. As each copy is entirely handmade, please allow approximately seven working days for shipping after your order is placed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":44781486899247,"sku":null,"price":380.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/city-tour-2-from-kyoto-to-osaka-pre-order-3401401.jpg?v=1766163374"},{"product_id":"zine-陶瓷紅雙喜火柴盒-double-happinesss-ceramics-matchbox","title":"【Zine】陶瓷紅雙喜火柴盒 Double Happinesss Ceramics Matchbox","description":"\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e創作這個小Zine源於喜歡舊物，幾年前已經做過一個不能打開的火柴盒，今次做個改良版——打得開的火柴盒。在製作這個「雙喜」火柴盒的過程中，發現香港曾經有很多酒樓和酒店都推出火柴盒，早期在坪洲更有一間火柴廠——大中國火柴廠。此廠房於1939年在香港坪洲設廠，並製作出印有「九龍」字樣的火柴盒。我在網上還找到印有「香港」的火柴，不知是否另一間火柴廠的出品呢。由於網上沒有很多資料記載這間火柴廠的故事，反而能夠找到「雙喜」火柴盒的電視廣告，當年竟然在電視廣告教人用火柴來吸煙！ \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCreated by Michelle Cheung \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":44898081800239,"sku":null,"price":480.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-double-happinesss-ceramics-matchbox-3670904.png?v=1769892069"},{"product_id":"新書-to-the-moon-and-back","title":"【新書】To the moon…and back","description":"\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e地球與月球之間的距離，好遠好遠；抵達後近在咫尺，好近好近；\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e然而，變幻無常的月亮，讓這份親近再度遙不可及。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e 全書分為兩部分：去月球玩，又回來了。這本無字小誌原畫是用單版版畫和拼貼完成的，洋小漫在工作室用打印機印出，書中富有顆粒的質感，帶出生活在月球上的孤獨。\u003c\/span\u003e\u003c\/p\u003e\n\u003cb id=\"docs-internal-guid-22027ece-7fff-01e0-ee91-b0f0d68854ac\"\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe distance between the Earth and the Moon is very far; upon arrival, it feels incredibly close. However, the ever-changing Moon makes this closeness seem distant once again.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe book is divided into two parts: \"To the Moon\" and \"Back,\" resonating with the saying \"to the Moon and back.\" This silent zine features original illustrations created using monotypes and collage. The textures, printed in the studio, convey the grainy feel of life on the Moon, emphasizing the loneliness experienced there.\u003c\/span\u003e\u003c\/p\u003e\n\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"content\"\u003e\u003cspan\u003e\u003cstrong\u003e作者簡介\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYang Sio Maan is an illustrator, author, and independent publisher from Macau. She blends collage, watercolour, and digital drawing to create work that is at once whimsical and poetic—populated by busy city characters and quiet daydreamers. Through picture books, zines, and her imprint Fizzy Ink Publishing, Yang experiments with visual narratives, photobooks, and small-run, experimental projects. (\u003c\/span\u003e\u003ca href=\"http:\/\/www.yangillustration.com\"\u003e\u003cspan\u003ewww.yangillustration.com\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cb id=\"docs-internal-guid-f80927f5-7fff-5391-f380-24cdac6535c8\"\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"content\"\u003e詳細資料\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp class=\"bd\"\u003eAuthor Illustrator \/ Yang Sio Maan\u003cbr\u003e13.5 x 13.5cm, Handmade zine, 24 pages\u003cbr\u003eEdition 1, 50 copies\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45190983188527,"sku":null,"price":120.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/to-the-moonand-back-7586194.jpg?v=1775940850"},{"product_id":"新書-time-after-time","title":"【Zine】time after time","description":"\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e紀錄了澳門下環街一帶的日常與風景。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA small record of the daily lives at Rua da Praia do Manduco in Macao.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"content\"\u003e\u003cspan\u003e\u003cstrong\u003e作者簡介 \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYang Sio Maan is an illustrator, author, and independent publisher from Macau. She blends collage, watercolour, and digital drawing to create work that is at once whimsical and poetic—populated by busy city characters and quiet daydreamers. Through picture books, zines, and her imprint Fizzy Ink Publishing, Yang experiments with visual narratives, photobooks, and small-run, experimental projects. (\u003c\/span\u003e\u003ca href=\"http:\/\/www.yangillustration.com\"\u003e\u003cspan\u003ewww.yangillustration.com\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cb id=\"docs-internal-guid-f80927f5-7fff-5391-f380-24cdac6535c8\"\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"content\"\u003e詳細資料\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRisograph, handmade zine, A5\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eEdition 1, 50 copies \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45190986039343,"sku":null,"price":70.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zinetime-after-time-2372819.jpg?v=1775940855"},{"product_id":"新書-亞際木刻圖繪-第六期-她的木刻-木刻實踐的女性視角","title":"【Zine】亞際木刻圖繪 第六期 《她的木刻: 木刻實踐的女性視角》","description":"\u003ch2 class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cspan\u003eInter-Asia Woodcut Mapping Issue VI\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHer Woodcuts: Female Perspectives on Woodcut Practices\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e談及木刻版畫，人們或許首先聯想到其剛勁的線條、強烈的對比，以及具批判性的傳統，也因此，這項媒介時常被賦予某種陽剛調性，或甚少將它與「她」的實踐聯繫起來。事實上，在亞洲現代木刻運動的脈絡中，男性藝術家的確較占據主導，女性的參與長期處於邊緣。即便在性別意識已逐步推進的今天，從女性視角或性別觀點回顧、重探這段歷史的研究，依然為數甚少。有見及此，本期《亞際木刻圖繪》嘗試以「她的視角」作為切入，梳理亞洲不同社會脈絡下女性創作者的實踐，從而審視那些在主流敘事中被遮蔽、異質而多樣的生命經驗，以及探討另一種自我組織與社會實踐的可能。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen speaking of woodcuts, people often first think of its vigorous lines, stark contrasts, and its critical tradition. As a result, this medium is often endowed with a masculine tone and rarely associated with “her” practice. Indeed, within the context of Modern Woodcut Movements across Asia, male artists have largely dominated, while women’s participation has long remained at the margins. Even today, as gender consciousness gradually advances, studies that revisit and reexamine this history from women’s perspectives or through a gender lens remain relatively rare. In light of this, this issue adopts “her perspectives” as a point of departure by tracing the practices and experiences of women artists and practitioners in various Asian social contexts. It aims to examine the obscured, diverse, and heterogeneous life trajectories veiled by mainstream narratives, and to further explore the alternative forms of self-organization and social practice.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"content\"\u003e\u003cspan\u003e目錄 Content\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"content\"\u003e\u003cspan\u003e・她的木刻：木刻實踐的女性視角 | 編輯部\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・招瑞娟：戰後日本大眾木刻運動中的華僑女藝術家 | 町村悠香\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・1980年代女性藝術家們的民眾版畫：以「杜侖」為中心的民眾美術與版畫運動 | 稻葉真以\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・如蕨的相處與連結：點印社訪談 | 吳君儀、李俊峰\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・女性主義書店中的女性主義木刻小組：魔女版畫訪談｜狩野愛\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・刻作「她助之網」：木刻藝術家李平與里林的訪談｜林閱\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・耕作由女性主義者主導的安全空間：TkTk女性主義版畫者的個案研究｜蓋爾·維拉弗洛爾\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e・印刻只爲看見：「刻木尋梅」的藝術行動實踐｜刻木尋梅\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"content\"\u003e\u003cspan\u003e・Her Woodcuts: Female Perspectives on Woodcut Practices | Editorial Board\u003cbr\u003e・Zhao Ruijuan: An Oversea Chinese Female Artist in Japan’s Postwar Popular Woodcut Movements | Haruka MACHIMURA\u003cbr\u003e・People’s Print by Women Artists in the 1980s: The Minjung Art and Print Movement Centered on Dureun | Mai INABA\u003cbr\u003e・Interact and Connect Like Ferns: An Interview with Printhow | Krystie NG, LEE Chun Fung\u003cbr\u003e・A Feminist Woodcut Collective in a Feminist Bookstore: An Interview with The witch printmaking collective | Ai KANO\u003cbr\u003e・To Carve Her Networks: Interview with Woodcut Artists Li Ping and Lilin | LIN Yue\u003cbr\u003e・Cultivating Feminist-Led Safe Spaces for Creatives: A Case Studies of TkTk Feminist Printmakers | Gale VILLAFLOR\u003cbr\u003e・Carve to Witness: Rememher Group’s Artivism | Rememher Group\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3 class=\"content\"\u003e\u003c\/h3\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e出版：亞際木刻圖繪\u003cbr\u003e版次：2026年 3月（第一版）\u003cbr\u003e規格：27 x 20 cm、64頁（柯式印刷）\u003cbr\u003e語言：中英雙語\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePublisher: Inter-Asia Woodcut Mapping\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDate: March 2026 (first edition)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSpecifications: 27 x 20cm; 64 pages (offset printing)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: Chinese and English\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45190998949935,"sku":null,"price":100.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-5467179.jpg?v=1775940854"},{"product_id":"zine-木刻版畫行動入門","title":"【Zine】木刻版畫行動入門","description":"\u003ch2 class=\"mod_b type02_m057 clearfix\"\u003e\u003cspan\u003eAn Introduction to Woodblock Prints for Action\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e以木刻版畫作為藝術行動，該從何下手？由日本藝術小組A3BC編著和策劃的《木刻版畫行動入門》，是一本簡明實用的創作指南！書中從創作步驟、技法到工具清單，系統介紹木刻版畫行動的基礎知識，同時收錄各地實踐者關於集體創作的思考及相關作品，內容豐富，助你踏上版畫行動之路。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWritten and edited by the Japanese woodblock collective A3BC, is a concise and practical introductory handbook for action-oriented woodcut printmaking! Covering everything from step-by-step creation techniques to essential tools, this zine systematically introduces the fundamentals of woodblock printing. It also features reflections on collective creation by practitioners from different regions, alongside related woodcut artworks—offering rich content to support your journey into printmaking as a form of action.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e編著及策劃： \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/a3bcollective\/\" role=\"link\" tabindex=\"0\"\u003e@a3bcollective\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e出版： \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/mapping_woodblock\/\" role=\"link\" tabindex=\"0\"\u003e@mapping_woodblock\u003c\/a\u003e\u003cspan\u003e × A3BC\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e語言：中英雙語\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2025年 7月 第一版\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e尺寸：14.8 x 21 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWritten and edited by \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/a3bcollective\/\" role=\"link\" tabindex=\"0\"\u003e@a3bcollective\u003c\/a\u003e\u003cbr\u003ePublished by \u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/mapping_woodblock\/\" role=\"link\" tabindex=\"0\"\u003e@mapping_woodblock\u003c\/a\u003e × A3BC\u003cbr\u003eLanguage: Chinese and English\u003cbr\u003eJuly 2025, First Edition\u003cbr\u003eSize: 14.8 x 21 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191000096815,"sku":null,"price":50.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-6828869.jpg?v=1775940852"},{"product_id":"zine-木刻版畫行動入門-copy","title":"【Zine】亞際木刻圖繪（五）：戰後亞洲的木刻運動及其多重軌跡","description":"\u003ch2 class=\"mod_b type02_m057 clearfix\"\u003e\u003cspan\u003eInter-Asia Woodcut Mapping V: The Multiple Trajectories of Woodcut Movements in Postwar Asia\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e「現代木刻運動」起源自上世紀三〇年代，最初由魯迅發起，主張以木刻／木版畫作為刻劃現實、揭露社會陰暗面的創作媒介。這運動在當時曾啟發一批藝術家投身參與，其影響在後來更逐漸擴散至鄰近地區。然而，由於不同的社會因素及發展源流，儘管相關實踐曾在各地冒現，但卻呈現相當迴異的路徑。於此，我們或需要一個跨文化／地區互聯的視角，以理解背後糾結的地緣政治及歷史問題。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e這一期《亞際木刻圖繪》以「現代木刻運動」於戰後東亞及東南亞的多重軌跡為題，分別透過七篇從中、港、台、日、韓、新加坡與菲律賓視角出發的文章，勾勒此一曾橫越國界的美術運動，並探討各地藝術家及實踐者如何在「戰後」此一問題意識下將木刻版畫結合社會批判與行動，及至是在冷戰脈絡下相關實踐所遭遇的限制和困境。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis issue takes the multiple development trajectories of the Modern Woodcut Movement in postwar Asia as its theme, through seven articles from the perspectives of China, Hong Kong, Taiwan, Japan, Korea, Singapore, and the Philippines. We aim to outline not only the diverse development of this cross-border art movement in various places but also to explore how artists take postwar as a notion to combine woodcut printmaking with social criticism and action, as well as the limitations and difficulties they encountered in the context of the Cold War.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cspan\u003e目錄 Content\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e編輯部 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e多重戰後：戰後東亞／東南亞的木刻運動 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEditorial Board | Multiple Postwar: Woodcut Movements in Postwar East and Southeast Asia \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e町村悠香 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e日本經濟高速成長期的教育版畫運動：直面社會議題的教育實踐 \u003c\/span\u003e\u003cspan\u003eHaruka MACHIMURA | Printmaking Education Movement During Japan’s Period of Rapid Economic Growth: Educational Practices in Addressing Social Issues \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e稻葉真以 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e韓國的抗爭版畫 \u003c\/span\u003e\u003cspan\u003e—— \u003c\/span\u003e\u003cspan\u003e解放空間與一九八〇年代 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMai INABA | Resistance Prints in South Korea — the Liberation Space and the 1980s \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e李俊峰 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e左翼木刻運動在香港的萌芽與斷裂 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLEE Chun Fung | The Rise and Fall of Left-wing Woodcut Movement in Hong Kong \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e梅丁衍 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e再思台灣當代版畫發展脈絡的荊棘之路 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMEI Dean-E | Rethinking the Thorny Path of Contemporary Printmaking in Taiwan \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e李丁 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e社會主義現實主義的論爭 \u003c\/span\u003e\u003cspan\u003e—— \u003c\/span\u003e\u003cspan\u003e一九五〇年代的中國木刻版畫活動筆記 \u003c\/span\u003e\u003cspan\u003eLI Ding | Debates on Socialist Realism: Notes on the 1950s Modern Woodcut Activities in China \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e從離散到獨立：新加坡戰後木刻初探 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKrystie NG | From Diaspora to Independence: A Preliminary Study on Postwar Woodcuts in Singapore \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e阿美爾・里維拉 \u003c\/span\u003e\u003cspan\u003e| \u003c\/span\u003e\u003cspan\u003e由人民及為人民而創造的版畫：刻出菲律賓民族解放的自主之路 \u003c\/span\u003e\u003cspan\u003eAmiel RIVERA | Printmaking by the People and for the People: Carving Our Way towards National Liberation of the Philippines \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e出版：亞際木刻圖繪\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e編輯：李俊峰、吳君儀、陳韋綸\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e版次：2024年 8月、第一版\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e規格：27 x 20 cm、80頁、柯式印刷、平裝\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e語言：中英雙語\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePublisher: Inter-Asia Woodcut Mapping Group\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDate: August 2024 (first edition)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSpecifications: 27 x 20cm; 80 pages (offset printing)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: Chinese and English\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191000391727,"sku":null,"price":100.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-6609220.jpg?v=1775940855"},{"product_id":"zine-a3bc-a-decade-of-woodcut-resistance","title":"【Zine】A3BC — A Decade of Woodcut Resistance","description":"\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt is beyond excited to announce the publication of this newly made zine, commemorating the 10th anniversary of A3BC’s founding – a woodcut collective based in Tokyo, Japan.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOver the years, \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/a3bcollective\/\" role=\"link\" tabindex=\"0\"\u003e@a3bcollective\u003c\/a\u003e\u003cspan\u003e has created a large number of woodcuts and prints in response to local and global issues. Additionally, they have established a cross-border solidarity network by hosting international exchanges and supporting trans-local social movements, inspiring numerous practitioners in the region. We congratulate A3BC on reaching this milestone and wish them many more sparkling years ahead!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis zine is jointly produced by A3BC and the Inter-Asia Woodcut Mapping Group. It includes a look back to the context of the establishment, reflections and challenges in practice, and reviews on building solidarity networks across the region. It also comprises selected woodcuts and photos from public workshops, protests, exhibitions, and other activities. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEditors: \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/aiiiikkaano\/\" role=\"link\" tabindex=\"0\"\u003e@aiiiikkaano\u003c\/a\u003e\u003cspan\u003e , \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/krystie712\/\" role=\"link\" tabindex=\"0\"\u003e@krystie712\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eContributors: Achakov, Ai, \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/an_aki_art\/\" role=\"link\" tabindex=\"0\"\u003e@an_aki_art\u003c\/a\u003e\u003cspan\u003e , Hiro, \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/k31_narita\/\" role=\"link\" tabindex=\"0\"\u003e@k31_narita\u003c\/a\u003e\u003cspan\u003e , Nia, \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/kagemarutan\/\" role=\"link\" tabindex=\"0\"\u003e@kagemarutan\u003c\/a\u003e\u003cspan\u003e, Yuka, \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/yaiyaiyuki\/\" role=\"link\" tabindex=\"0\"\u003e@yaiyaiyuki\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/cc_kua\/\" role=\"link\" tabindex=\"0\"\u003e@cc_kua\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRisograph: \u003c\/span\u003e\u003ca class=\"x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd\" href=\"https:\/\/www.instagram.com\/qua_canton\/\" role=\"link\" tabindex=\"0\"\u003e@qua_canton\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize: 17 x 23 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrintrun: 1000 (24 pages) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: Japanese and English\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191003340847,"sku":null,"price":60.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zinea3bc-a-decade-of-woodcut-resistance-8517630.jpg?v=1775940854"},{"product_id":"zine-亞際自組織木刻圖繪-iii-體制及其後","title":"【Zine】亞際自組織木刻圖繪 III：體制及其後","description":"\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《木刻小誌》第三期以「體制及其後」為主題，探討自組織實踐與體制之間的互動關係。在當 代藝術的語境，體制（\u003c\/span\u003e\u003cspan\u003einstitution\u003c\/span\u003e\u003cspan\u003e）一詞泛指由官方或大型資本主導運營的美術館、展覽或藝 術機構等。然而，在概念層面，它亦可指稱一種組織的方式或既存的意識形態，有形或無形 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e地在社會中建構權力。在此，自我組織的木刻實踐與體制之間，究竟是一種\u003c\/span\u003e\u003cspan\u003e絕\u003c\/span\u003e\u003cspan\u003e對的對立關 係，還是互為彼此？ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe third issue of ”Woodcut Zine“ focuses on the idea of \"institution\" as to explore the relationship between self-organized practice and official institution. In the context of contemporary art, the term \"institution\" generally refers to art galleries, exhibitions, or art organizations run by the government or large-scale capital. Yet, from a conceptual level, it can also refer to a way of organization or existing ideologies that constructs intangible power in the society. Here, is the self-organized woodcut practice and \"institution“ an absolute binary relationship, or is it complementing each other?\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cspan\u003e目錄 \u003c\/span\u003e\u003cspan\u003eContents \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e來自編輯部的「自問自答」\u003c\/span\u003e\u003cspan\u003e—— \u003c\/span\u003e\u003cspan\u003e體制及其後 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e編輯部 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSelf-Questioning of the Editorial Team –– Institution and Beyond \/\/ Editorial Team  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e有關「體制」的筆記：從現代木刻出發 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e李丁 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNotes on “Institution”: Begin with the Chinese Modern Woodcut Movement \/\/ LI Ding \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e戰鬥木刻：台灣木刻版畫如何向右轉的歷史 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e陳韋綸 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMilitant Woodcuts: A History of How Woodcuts in Taiwan Turned Right \/\/ CHEN Wei-lun \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e差異觀點：亞洲木刻小組組織形式的觀察 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDifferences in Perspective: Observations on the Organization of Woodcut Collectives in Asia \/\/ Krystie NG \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e「戰後木刻藝術運動的萌芽：飯野農夫也與新居廣治」 展評 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e狩野愛 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eExhibition Review of The Budding of the Postwar Woodcut Art Movement: Iino Nobuya and Nii Hiroharu \/\/ KANO Ai \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e一起\u003c\/span\u003e\u003cspan\u003e嗨 —— \u003c\/span\u003e\u003cspan\u003e訪談《刺紙》的自出版實踐與木刻社群的建立 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e李俊峰、\u003c\/span\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003cspan\u003eGet High Together: Interview on the Practice of Self-publishing and Community Building by Prickly Paper \/\/LEE Chun Fung, Krystie NG \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e附錄 \u003c\/span\u003e\u003cspan\u003eAppendix \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e紙上策展：木刻現場 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCuration on Paper: Woodcut In-Situ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e出版：亞際木刻圖繪小組 \u003cbr\u003e版次：2023年（第二版） \u003cbr\u003e尺寸：27 x 20 cm + 17 x 23 cm (一書兩冊) \u003cbr\u003e印量：500 本（48 +12頁，孔版印刷） \u003cbr\u003e語言：中英雙語 \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003ePublished by: Inter-Asia Woodcut Mapping Group \u003cbr\u003eEdition: 2023 (second edition) \u003cbr\u003eSize: 27 x 20 cm + 17 x 23 cm (two zines) \u003cbr\u003ePrint run: 500 (48 + 12 pages, risograph) \u003cbr\u003eLanguage: Chinese and English \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191004291119,"sku":null,"price":100.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-iii-6162322.jpg?v=1775940851"},{"product_id":"zine-亞際自組織木刻實踐圖繪-ii-集體協作-著作權與資本","title":"【Zine】亞際自組織木刻實踐圖繪 II：集體協作、著作權與資本","description":"\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eInter-Asia Self-organized Woodcut Collectives Mapping Series II: Collaboration, Authorship and Capital \u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e承接第一期小誌對亞洲地區\u003c\/span\u003e\u003cspan\u003e內\u003c\/span\u003e\u003cspan\u003e木刻版畫小組的網絡圖繪， 本期則嘗試由協作實踐的生 \u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e層面作為出發點，對於來自 台灣、日本、韓國、印尼、馬來西亞和中國\u003c\/span\u003e\u003cspan\u003e內\u003c\/span\u003e\u003cspan\u003e地的版畫小組 進 行一次差異性的考察\u003c\/span\u003e\u003cspan\u003e;\u003c\/span\u003e\u003cspan\u003e藉由對相關議題的書寫，探討亞際 各地的版畫小組如何看待 「集體協作」的藝術創作形式，以 及「集體創作」在東亞、東南亞的歷史脈絡。建基於新自 由主義下對「共同體」的思考，以木刻版畫創作中樣態各異的集 體協作，再思亞際各地對 「集體」或「共同體」的差異認知。 在此，我們將嘗試從兩個實踐者常常遇到的難題出發 \u003c\/span\u003e\u003cspan\u003e—— \u003c\/span\u003e\u003cspan\u003e協作實踐中，藝術家\u003c\/span\u003e\u003cspan\u003e\/\u003c\/span\u003e\u003cspan\u003e行動者如何處理「著作權」誰屬的問 題\u003c\/span\u003e\u003cspan\u003e?\u003c\/span\u003e\u003cspan\u003e對這概念又如何理解\u003c\/span\u003e\u003cspan\u003e? \u003c\/span\u003e\u003cspan\u003e另一問題是，在作品完成後，當 它在社會流通及傳播時，他們如何思考作品與藝術市場 的 關係\u003c\/span\u003e\u003cspan\u003e?\u003c\/span\u003e\u003cspan\u003e其實踐又是否一種針對資本體制運行邏輯的對抗\u003c\/span\u003e\u003cspan\u003e? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBuilding on the first issue that mapped the network of various woodcut collectives in Asia, this second issue opts for the production perspective of collaborative practices as a starting point, and then goes on to study the divergence among various woodcut collectives from Taiwan, Japan, Korea, Indonesia, Malaysia and Mainland China. By writing on related topics, we examine how these collectives from different areas look at art creation as collaboration and we also examine the historical contexts of collaboration in South Asia and Southeast Asia. Based on the thinking of commoning under the framework of neoliberalism, we take the versatile formats of collective woodcut-making to rethink the difference between collective and community in different Asian localities. Here, we try to address two common issues often encountered by practitioners. Firstly, how do artists\/ activists comprehend and deal with the concept of authorship in collaborative practices? Secondly, once a print is completed and being distributed, how do they frame the relationship between the print and the art market? Ultimately, is this practice a kind of confrontation against the operating logic of the capitalist system?\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cspan\u003e目錄 \u003c\/span\u003e\u003cspan\u003eContents \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e有關集體協作、著作權與資本的問題 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e編輯部 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eQuestions about Collaboration, Authorship and the Capital \/\/Editorial Team  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e可複製性的悖論：作為藝術作品的木刻版畫 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e李丁 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Paradox of Reproducibility: Woodcut as Artwork \/\/LI Ding \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e合作何為？自組織木刻社群的協作實踐 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e李俊峰 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhy Do We Work Together? The Collaborative Practice Among the Self-organized Woodcut Collective in Asia \/\/LEE Chun Fung \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e從「限界藝術」的觀點：木刻版畫的業餘主義 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e狩野愛 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAmateurism of Woodblock Printing through the Lens of Marginal Art \/\/ KANO Ai \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e流動的參與：登帕沙集體之視覺筆記 \u003c\/span\u003e\u003cspan\u003e\/\/Gilang @ Propagila \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fluidity of Participation: Visual Notes on Denpasar Kolektif \/\/ Gilang @ Propagila \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e集體創作、社區服務與藝術家聲譽之交匯：訪談「龐克搖滾舍」\u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003cspan\u003eThe Confluence of Collective Art Making, Community Service and Artist Fame: An interview with Pangrok Sulap \/\/Krystie NG \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e我們的版畫不只要好看，更要傳遞訊息\u003c\/span\u003e\u003cspan\u003e——\u003c\/span\u003e\u003cspan\u003e印刻部成員自問自答 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e陳韋綸 \u003c\/span\u003e\u003cspan\u003eOur printmaking is not only good looking, but also conveys a message: A Self-interview of Print and Carve Department \/\/CHEN Wei-lun \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e生態、團結抗爭與集體藝術行動：訪談 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEast Asia Ecotopia Ecology, Solidarity and Collective Art Action: An Interview with East Asia Ecotopia \/\/Krystie NG \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e出版：亞際木刻圖繪小組 \u003cbr\u003e發行日期：2023年 (第二版） \u003cbr\u003e印量：300本（48頁，孔版印刷，台灣) \u003cbr\u003e尺寸：27 x 20 cm \u003cbr\u003e語言：中英雙語 \u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePublished by Inter-Asia Woodcut Mapping Group \u003cbr\u003eDate: 2023 (second edition) \u003cbr\u003eEdition: 300 copies (48 printed pages, risograph, Taiwan) \u003cbr\u003eSize: 27 x 20 cm \u003cbr\u003eLanguage: Chinese and English \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191005339695,"sku":null,"price":100.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-ii-3997610.jpg?v=1775940849"},{"product_id":"zine-亞際自組木刻版畫串連圖繪","title":"【Zine】亞際自組木刻版畫串連圖繪","description":"\u003ch2 dir=\"ltr\"\u003e\u003cspan\u003eInter-Asia Self-organized Woodcut Collectives Mapping Series II: Collaboration, Authorship and Capital \u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e二戰結束後印尼、馬來西亞等國逐步踏上民族獨立和民主化的過程，然而殖民制度所遺 下的權力體制和全球資本對底層人民的壓迫和暴力並沒有因此明顯減少。印尼龐克樂團 「\u003c\/span\u003e\u003cspan\u003eMarjinal\u003c\/span\u003e\u003cspan\u003e」和藝術組織「稻米獠牙」就是在這樣的背景下成立；藝術家們通過不同的創作 方式，上山下\u003c\/span\u003e\u003cspan\u003e鄉\u003c\/span\u003e\u003cspan\u003e與人民共同創作，建立互聯與發聲的空間；過程不單讓更多人關注底層民 眾的處境，同時在建構一種強調平等、共同協作的倫理，提供偏重於個人性的當代藝術 生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e模式以外，另一種「藝術政治」的想像。隨後，「\u003c\/span\u003e\u003cspan\u003eMarjinal\u003c\/span\u003e\u003cspan\u003e」和「稻米獠牙」的實踐在印尼 各地開展，並促發周邊地域的新晉版畫組織，影響從鄰近的馬來群島及至在東北亞地區 ，例子見如沙巴的「龐克搖滾舍」、東京的「\u003c\/span\u003e\u003cspan\u003eA3BC\u003c\/span\u003e\u003cspan\u003e」、台北的「印刻部」、香港的「點印社」、 中國大陸的「木刻波流」等等。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAsian countries like Indonesia and Malaysia gained independence and underwent the process of democratization after World War II; however, the colonial regime, state apparatus and transnational capital have never ceased to exert pressure and perpetrated violence against the underprivileged. The Indonesian punk band Marjinal and the woodblock printing collective Taring Padi were founded in such a historical context. The practice of Marjinal and Taring Padi have bloomed across Indonesia and fostered the birth of numerous woodblock printing collectives. Their influence soon extended as far as the woodblock printing network in Malaysia and contemporary art practitioners in East Asia. Examples include Pangrok Sulap in Sabah, A3BC (namely Anti-War, Anti-Nuclear and Arts of Block-print Collective) in Tokyo, Print \u0026amp; Carve Department in Taipei, Printhow in Hong Kong and Woodcut Wavement in Mainland China etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cspan\u003e目錄 \u003c\/span\u003e\u003cspan\u003eContents \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e序－再思「集體」：圖繪亞際木刻版畫集體的發展／編輯部 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRethinking Collective: Mapping on the Development of Woodblock Printing Collective in Inter-Asian Context \/ The Editorial Board \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e印尼藝術家集體「稻米獠牙」的左翼精神／陳韋綸 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Left-Wing Spirit of the Indonesian Artist Collective Taring Padi \/ CHEN Wei-Lun \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e自發協作還是社會動員？談\u003c\/span\u003e\u003cspan\u003eGotong-Royong\u003c\/span\u003e\u003cspan\u003e的歷史獄警及其政治／\u003c\/span\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003cspan\u003eCollaboration or Social Mobilization? The Historical Context of \u003c\/span\u003e\u003cspan\u003eGotong-Royong \u003c\/span\u003e\u003cspan\u003eand Its Politics \/ Krystie NG \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e如何持續發展一個\u003c\/span\u003e\u003cspan\u003eDIY\u003c\/span\u003e\u003cspan\u003e藝術家集體？：以\u003c\/span\u003e\u003cspan\u003eA3BC\u003c\/span\u003e\u003cspan\u003e為例／狩野愛 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHow to Sustain a DIY Artist Collective? In the Case of A3BC \/ KANO Ai \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e「像充滿謎團的存在」：東亞跨地域文化行動的動態網絡／李俊峰 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e“To Exist Like a Mystery”: The Dynamic of Trans-Local Cultural Activism Network in East Asia \/ LEE Chun Fung \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e從「大眾化」到「去大眾化」：重新思考中國當代藝術語境中的木刻創作／李丁 \u003c\/span\u003e\u003cspan\u003eFrom “Popularization” to “De-popularization”: Rethink Woodcut Printing in the Context of Chinese Contemporary Art \/ LI Ding \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e出版日期：2023年8月（第三版） \u003cbr\u003e出版人：吳君儀、李丁、范垂陽 \u003cbr\u003e頁數：44頁＋A3圖繪 \u003cbr\u003e尺寸：27 x 20 cm \u003cbr\u003e語言：繁體中文＋英文 \u003cbr\u003e\u003cbr\u003ePublished by Krystie Ng, Li Ding and Duong Pham \u003cbr\u003eEdition: Aug 2023 (third edition) \u003cbr\u003ePages: 44 pages + A3 map \u003cbr\u003eSize: 27 x 20 cm \u003cbr\u003eLanguage: Chinese \u0026amp; English \u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191009239087,"sku":null,"price":100.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-4237409.png?v=1775940851"},{"product_id":"zine-亞際木刻圖繪iv-異識的藝術","title":"【Zine】亞際木刻圖繪IV：異識的藝術","description":"\u003ch2 dir=\"ltr\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cb id=\"docs-internal-guid-7765fae6-7fff-dde8-a436-845e2f190842\"\u003e\u003cspan\u003eInter-Asia Woodcut Mapping Series IV: The Art of Dissensus \u003c\/span\u003e\u003c\/b\u003e\n\u003c\/h2\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e相對於由共同立場或價\u003c\/span\u003e\u003cspan\u003e值\u003c\/span\u003e\u003cspan\u003e觀構成的「共識」，法國哲學家洪席耶 \u003c\/span\u003e\u003cspan\u003e(Jacques Rancière\u003c\/span\u003e\u003cspan\u003e）提出 「異識」\u003c\/span\u003e\u003cspan\u003e(Dissensus) \u003c\/span\u003e\u003cspan\u003e此一概念，以作為干擾「文化霸權」運作的可能。這一期《亞際木刻圖 繪》以此為題，與讀者一同探討藝術家如何藉由「異識」介入不同地域的個案，從而提供另 一種思考權力運作的角度。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDifferent from understanding politics as an entity consisting of common positions or values, dissensus emphasizes the existence of difference itself as the condition that constitutes politics. This issue borrows the idea of dissensus suggested by French philosopher Jacques Rancière, to propose the aesthetical potential of dissenting opinions as a way to interfere with cultural hegemony. By examining cases in different regions, we hope to leap out from the framework of consensus politics and explore how artists intervene with dissensus in reality, providing another perspective for us to think about the operation of power structure in our society.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cspan\u003e目錄 \u003c\/span\u003e\u003cspan\u003eContents \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e作為「異識」的藝術實踐 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e編輯部 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDissensus as Art Practice \/\/Editorial Team \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e撥開「稻米獠牙」的「反猶主義」疑雲 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e陳韋綸 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDispelling the Anti-Semitism Suspicions around Taring Padi \/\/Chen Wei-lun \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e懷抱一九八〇年代而活：紀念「六月鬥爭」三十五週年邀請展《李相浩・解剖歷史》\u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e稻葉真 以 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLiving with the 1980s: Lee Sang-ho: Dissecting the History An Invitational Exhibition Commemorating the 35th Anniversary of the June Struggle \/\/Mai Inaba \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e紙上策展：爭議之後 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e狩野愛 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCuration on Paper: After the Controversy \/\/Ai Kano \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e發出自己的聲音，然後再擴散：「木刻波流」訪談 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMake Our Own Voice and Spread it: Interview with Woodcut Wavement \/\/Krystie Ng \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e世界上的苦難不是我們獨有：「版畫為民眾」訪談 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e吳\u003c\/span\u003e\u003cspan\u003e君儀 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOppressions are not Endemic: Interview with Printmaking for the People \/\/Krystie Ng \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e我們希望自己的作品能成為抗議現場的戰鬥工具：「\u003c\/span\u003e\u003cspan\u003eDis-Print Kultur\u003c\/span\u003e\u003cspan\u003e」訪談 \u003c\/span\u003e\u003cspan\u003e\/\/\u003c\/span\u003e\u003cspan\u003e陳韋綸 \u003c\/span\u003e\u003cspan\u003eWe Want Our Artwork to be Used as a Tool to Fight in the Field: Interview with DIS-PRINT KULTUR \/\/Chen Wei-lun \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e《亞際木刻圖繪》（又稱《木刻小誌》）以推動亞洲各地木刻實踐的經驗對話和知識生\u003c\/span\u003e\u003cspan\u003e產\u003c\/span\u003e\u003cspan\u003e為 目標，透過訪談、研究、策劃等工作串聯各地實踐者，修繕行動與論述之間的縫隙。小組 希望透過亞際視角理解共同面對的難題，並提出跨地域、跨國籍的串連方式提出方案。 自\u003c\/span\u003e\u003cspan\u003e2019\u003c\/span\u003e\u003cspan\u003e年起，團隊以每年一刊方式製作期刊，至今已出版五期。 \u003c\/span\u003e\u003c\/p\u003e\nIG：mapping_woodblock\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e電郵：mappingwoodblock@gmail.com\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e出版：亞際木刻圖繪小組 \u003cbr\u003e尺寸：27 x 20 cm \u003cbr\u003e印量：500 本（48頁，柯式印刷） \u003cbr\u003e版次：2024年（第二版） \u003cbr\u003e語言：中英雙語 \u003cbr\u003e\u003cbr\u003ePublished by: Inter-Asia Woodcut Mapping Group \u003cbr\u003eSize: 27 x 20 cm \u003cbr\u003ePrint run: 500 (48 pages, offset printing) \u003cbr\u003eEdition: 2024 (second edition) \u003cbr\u003eLanguage: Chinese and English \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191017070639,"sku":null,"price":100.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zineiv-3659377.png?v=1775940846"},{"product_id":"zine-litmus-試紙-002","title":"【Zine】Litmus 試紙 #002","description":"\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e《Litmus 試紙》是同人組織\u003cstrong\u003e激進怪物研究所\u003c\/strong\u003e的首個創作企劃，\u003cwbr\u003e六位來自香港的成員帶著自己感興趣的題目，各自書寫與遊戲、\u003cwbr\u003e動漫、偶像及科技有關的評論。\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e我們希望跳脫主流常有的好／壞價值評斷，也不為作品打分，\u003cwbr\u003e讓讀者感受各種媒體現象的另一面。刊物取名「試紙」一詞，\u003cwbr\u003e既指向紙媒體，亦期望透過實驗、嘗試和接觸新領域，\u003cwbr\u003e帶來化學反應。\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e刊物分成上下兩輯：上半「畫外音」、下半「畫內音」\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cb id=\"docs-internal-guid-d7af950a-7fff-2edf-e5cb-6d4d59b57171\"\u003e\u003c\/b\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"content\"\u003e\u003cspan\u003e目錄 Content\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e論音樂類型、港式愛情電影，以科幻想像香港與「烏托邦」，窺見「大人的百合」如何從百合劇崛起，並論述 2020 年代御宅族的消費模式，何以是「等身大的物語消費」。\u003c\/div\u003e\n\u003cdiv\u003e同人評論誌《Litmus 試紙》第二期，收錄五篇全新評論，新增作家訪談及書評。以「類型的風景」為主題，在不斷加速的年代，梳理類型（genre）的演變路徑。\u003c\/div\u003e\n\u003cp\u003e-\u003c\/p\u003e\n\u003cp class=\"content\"\u003e\u003cspan class=\"im\"\u003e\u003cstrong\u003e#類型論畫外音\u003c\/strong\u003e\u003cbr\u003e．港產片迷思：香港能拍出 OOO 式的愛情電影嗎？／Vann\u003cbr\u003e．化簡與提煉——論《記憶管理局》裡的「烏托邦」與「香港」／思兼\u003cbr\u003e．「大人的百合」可以是怎樣的百合？——從百合劇與《即使成為大人》說起／鏡花先生\u003cbr\u003e．Dubstep 的誕生與衰亡：一個音樂類別發展的啟發／Altia\u003cbr\u003e．等身大的物語消費論：關於探究角色內心世界的觀察／Faker\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e#多聲道畫內音\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e．專訪 Irene309：在 0 與 0.1 之間，探尋名為百合的引力／鏡花先生\u003cbr\u003e．超．激進讀書會——討論文本：《記憶管理局》／Altia、鏡花先生、思兼\u003cbr\u003e．三宅香帆的《為何一旦開始上班便無法看書？》（なぜ働いていると本が読めなくなるのか）——看書是什麼時候成了生活中的「噪音」？／Faker\u003cbr\u003e．《庭の話》——超越被平台支配的可能性／Faker\u003c\/p\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3 class=\"content\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3 class=\"content\"\u003e詳細資料 Details\u003c\/h3\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e108P \/ A4 \/ 黑白\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45191024574511,"sku":null,"price":80.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zinelitmus-002-6994130.jpg?v=1775940850"},{"product_id":"zine-along-the-way-walking-hong-kong","title":"【Zine】Along The Way: Walking Hong Kong","description":"\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e內容簡介 Description\u003c\/h3\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e我一直想做一本關於香港的zine，也一直想做一本風琴摺的zine，我還想zine裡的文字是豎排的……這些想法在這一本小小zine裡面被實現了。\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e從金鐘到堅尼地城，天星小輪到魚木花，香港的日與夜，不知不覺收集了很多風景和記憶，用畫和文字，串起一條屬於香港的散步路線。\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e這是我寫給香港的情書\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"mod_b type02_m057 clearfix\"\u003e作者介紹 About the author\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"mod_b type02_m057 clearfix\"\u003e\n\u003cdiv class=\"bd\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv id=\"bgLayers_comp-lrp2wyxh1\" data-hook=\"bgLayers\" data-motion-part=\"BG_LAYER comp-lrp2wyxh1\" class=\"QG9w8P\"\u003e\n\u003cdiv id=\"bgMedia_comp-lrp2wyxh1\" data-motion-part=\"BG_MEDIA comp-lrp2wyxh1\" class=\"ROWgFb\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mesh-id=\"comp-lrp2wyxh1inlineContent\" data-testid=\"inline-content\" class=\"\"\u003e\n\u003cdiv data-mesh-id=\"comp-lrp2wyxh1inlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"i0qlrwwb\" class=\"N8MGzv _v6ohL PO9MfV i0qlrwwb wixui-rich-text\" data-testid=\"richTextElement\"\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eKori Song\u003c\/span\u003e is an illustration artist based in London who finds inspiration in both bustling cityscapes and serene natural landscapes. She studied drawing in China and Hong Kong. Her artwork beautifully blends urban energy with tranquil scenes, reflecting her unique perspective on the interplay between city life and human emotions.\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003eUsing a mix of media, Song's pieces draw viewers into a world of depth and complexity, encouraging contemplation of the relationship between humanity and its surroundings. Through her art, she explores the resilience of nature and the intricacies of human emotions amid urban environments.\u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8 wixui-rich-text__text\"\u003eCreating picture books is a beloved pursuit for Kori, allowing her to tell captivating stories through her artistic talents.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"content\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":45678833532975,"sku":null,"price":120.0,"currency_code":"HKD","in_stock":true}]},{"product_id":"zine-香港鬼神-how-to-draw-illustrations-for-ghost-stories-in-hong-kong","title":"【Zine】香港鬼神 How to draw illustrations for ghost stories in Hong Kong | On Kino Analog","description":"","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":46187189501999,"sku":null,"price":180.0,"currency_code":"HKD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-how-to-draw-illustrations-for-ghost-stories-in-hong-kong-on-kino-analog-3466875.jpg?v=1789530092"},{"product_id":"zine-惡毒的用心-卑劣的手段-on-kino-analog","title":"【Zine】惡毒的用心 卑劣的手段｜On Kino Analog","description":"","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":46187450105903,"sku":null,"price":180.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zine-on-kino-analog-7328217.jpg?v=1789530073"},{"product_id":"zine-舞場的女孩-on-kino-analog","title":"【Zine】舞場的女孩｜On Kino Analog","description":"","brand":"Mi Spacium Culture 藝跡文化","offers":[{"title":"Default Title","offer_id":46187496603695,"sku":null,"price":180.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0576\/1191\/1215\/files\/zineon-kino-analog-3687469.jpg?v=1789530098"}],"url":"https:\/\/mispaciumculture.com\/collections\/%e5%b0%8f%e8%aa%8c-zine.oembed","provider":"Mi Spacium Culture 藝跡文化","version":"1.0","type":"link"}